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Gone with the Wind is a 1939 American dramatic-romantic-war film adapted from Margaret Mitchell's 1936 novel of the same name and directed by Victor Fleming. The epic film, set in the American South in and around the time of the Civil War, stars Vivien Leigh, Clark Gable, Leslie Howard, and Olivia de Havilland, and tells a story of the Civil War and its aftermath from a white Southern viewpoint.

It received ten Academy Awards, a record that stood for twenty years.^[1] In the American Film Institute's inaugural Top 100 American Films of All Time list of 1998, it was ranked number four, although in the 2007 10th Anniversary edition of that list, it was dropped two places, to number six. In June 2008, AFI revealed its "Ten top Ten"—the best ten films in ten "classic" American film genres—after polling over 1,500 persons from the creative community. Gone with the Wind was acknowledged as the fourth best film in the Epic genre.^[2][3] It has sold more tickets in the U.S. than any other film in history, and is considered a prototype of a Hollywood blockbuster. Today, it is considered one of the greatest and most popular films of all time and one of the most enduring symbols of the golden age of Hollywood.

Contents 1 Gone with the Wind 2 Plot 3 Intermission 4 Notes 5 Further reading 6 External links

[edit] Gone with the Wind

[edit] Plot

The film opens on a large cotton plantation called Tara in rural Georgia in 1861, on the eve of the beginning of the American Civil War where Scarlett O'Hara ( Vivien Leigh) is flirting with the two Tarleton twins Brent and Stuart. Scarlett, Suellen, and Careen are the three daughters of Irish immigrant Gerald O’Hara (Thomas Mitchell) and his wife, Ellen O'Hara ( Barbara O'Neil). The twins share a secret with Scarlett that one of her county beaux, whom she secretly loves, Ashley Wilkes (Leslie Howard) is to marry his cousin Melanie Hamilton ( Olivia de Havilland) and the engagement is to be announced the next day at a barbecue at Ashley's home, the nearby plantation Twelve Oaks.

At Twelve Oaks, she notices she is being admired by a handsome but roguish visitor, Rhett Butler (Clark Gable), who had been disowned by his Charleston family. Rhett finds himself in further disfavor among the male guests when, during a discussion of the probability of war, he states that the South has no chance against the superior numbers and industrial might of the North.

When Scarlett sneaks out of her afternoon nap to be alone with Ashley in the library, she confesses her love for him. He admits he finds Scarlett attractive, and that he has always secretly loved her back, but says that he and the sweet Melanie are more alike. She accuses Ashley of misleading her to think that he did love her and slaps him in anger. Ashley silently exits and her anger continues when she realizes that Rhett was taking an afternoon nap on the couch in the library, and has overheard the whole conversation. "Sir, you are no gentleman!" she protests, to which he replies, "And you, miss, are no lady!" Before the conversation is over Rhett promises that her guilty secret is safe with him.

Scarlett leaves the library in haste and the barbecue is disrupted by the announcement that war has broken out, so the men rush to enlist, and all the ladies are awakened from their naps. As Scarlett watches Ashley kiss Melanie goodbye from the upstairs window, Melanie’s shy young brother Charles Hamilton, with whom Scarlett had been innocently flirting, asks for her hand in marriage before he goes. She consents, they are married, and she is quickly widowed just months after the wedding when Charles dies not in battle, but of pneumonia and the measles.

Scarlett's mother sends her to the Hamilton home in Atlanta to cheer her up, although the O’Hara's outspoken housemaid Mammy tells Scarlett she knows she is going there only to wait for Ashley’s return. Scarlett and Melanie attend a charity bazaar in Atlanta, where Rhett makes a surprise appearance. Scarlett, being a widow, is turned against and whispered about. He has become an heroic blockade runner for the Confederacy. Scarlett shocks Atlanta society by accepting Rhett's large bid for a dance, even though she is still in mourning. While they dance, Rhett tells her of his intention to win her, which she says will never happen, as long as she lives.

The tide of war turns against the Confederacy after the Battle of Gettysburg and many county friends and beaux of Scarlett were killed. Scarlett makes another unsuccessful appeal to Ashley’s heart while he is visiting on Christmas furlough, although they do share a private and passionate kiss just before he leaves for the war while in the parlor on Christmas day.

Eight months later, as the city is besieged by the Union Army in the Atlanta Campaign, Melanie goes into a premature and difficult labor. Scarlett must deliver the child by herself with the help of a house servant Prissy. Scarlett calls upon Rhett to bring her home to Tara immediately with Melanie, Prissy, and the baby. He appears with a horse and wagon to take them out of the city on a perilous journey through the burning depot and warehouse district. He leaves her with a nearly dead horse, helplessly sick Melanie, her baby, and tearful Prissy, and with a passionate kiss on the road leading to Tara. She repays him rudely with a slap, to his bemusement, as he goes off to fight with the Confederate Army.

On her journey back home, Scarlett finds Twelve Oaks burned out, deserted and ruined. She is relieved to find Tara still standing, but learns that her mother has just died of typhoid fever and her father's mind has begun to crumble under the strain. With Tara pillaged by Union troops, and the fields untended, Scarlett vows she will do anything for the survival of her family and herself: “As God is my witness, I’ll never be hungry again!”

[edit] Intermission

Scarlett sets her family and servants to picking the cotton fields. She also kills a Union deserter who threatens her during a burglary, and finds gold coins in his haversack, enough to sustain her family and servants for a short time. With the defeat of the Confederacy and war's end, Ashley returns from being a prisoner of war. Mammy restrains Scarlett from running to him when he reunites with Melanie. The dispirited Ashley finds he is of little help to Tara, and when Scarlett begs him to run away with her, he confesses his desire for her and kisses her passionately, but says he cannot leave Melanie.

Gerald O'Hara dies after he is thrown from his horse while chasing a Yankee carpetbagger, the former overseer of his plantation who now wants to buy Tara, off his property. Scarlett is left to care for the family, and realizes she cannot pay the rising taxes on Tara. Knowing that Rhett is in Atlanta and believing he is still rich, she has Mammy make an elaborate gown for her from her mother’s drapes still hanging in the parlor. However, upon her visit, Rhett tells her his foreign bank accounts have been blocked, and that her attempt to get his money has been in vain. However, as she departs, she encounters her sister’s fiancé, the middle-aged Frank Kennedy, who now owns a successful general store and lumber mill.

Soon Scarlett is Mrs. Frank Kennedy after lying to him that Suellen got tired of waiting for him and married another of her beaux. She becomes a hardheaded businesswoman, willing to trade with the despised Yankee carpetbaggers and use convict laborers in her mill. When Ashley is about to take a job offer with a bank in the north, Scarlett preys on his weakness by weeping that she needs him to help run the mill; pressured by the sympathetic Melanie, he relents. One day, after Scarlett is attacked while driving alone through a nearby shantytown, Frank, Ashley, and others make a night raid on the shantytown. Ashley is wounded in a melee with Union troops, and Frank is killed.

With Frank’s funeral barely over, Rhett visits Scarlett, who has been drinking, and proposes marriage. Scarlett is aghast at his poor taste, but takes him up on his offer, partially for his money. He kisses her passionately and tells her that he will win her love one day because they were both the same. After a honeymoon in New Orleans, Rhett promises to restore Tara to its former grandeur, while Scarlett builds the biggest and most crassly opulent mansion in Atlanta. The two have a daughter, Bonnie Blue Butler. Rhett adores her as a less spoiled version of her mother, and does everything to win the good opinion of Atlanta society for his daughter’s sake. Scarlett, still pining for Ashley and chagrined at the perceived ruin of her figure (her waist has gone from eighteen inches to twenty), lets Rhett know that she wants no more children and that they will no longer share a bed. In anger, he kicks open the door that separates their bedrooms to show her that he will decide that.

When visiting the mill one day, Scarlett listens to a nostalgic Ashley wish for the simpler days of old that are now gone, and when she consoles him with an embrace, they are spied by two gossips including Ashley's sister India, who has always held a grudge against Scarlett. They eagerly spread the rumor and Scarlett’s reputation is again sullied. Later that night, Rhett, having heard the rumors, forces Scarlett out of bed and to attend a birthday party for Ashley in her most flamboyant dress alone. Incapable of believing anything bad of her beloved sister-in-law, Melanie stands by Scarlett's side so that all know that she believes the gossip to be false.

At home later that night, while trying to sneak a drink for herself, Scarlett finds Rhett downstairs drunk. Blind with jealousy, he tells Scarlett that he could kill her if he thought it would make her forget Ashley. Picking her up, he carries her up the stairs in his arms, telling her, "This is one night you're not turning me out." She awakens the next morning with a look of guilty pleasure, but Rhett returns to apologize for his behavior and offers a divorce, which Scarlett rejects saying it would be a disgrace. Rhett decides to take Bonnie on an extended trip to London.

Rhett returns with Bonnie, and Scarlett is delighted but he rebuffs her attempts at reconciliation. He remarks at how she looks different and she tells him that she is pregnant again. Rhett asks who the father is and Scarlett tells him he knows the baby is his and that she doesn't even want the baby. Hurt, Rhett tells her "Cheer up. Maybe you'll have an accident." Enraged, Scarlett lunges at him, falls down the stairs and suffers a miscarriage. Rhett, frantic with guilt, cries to Melanie about his jealousy, yet refrains from telling Melanie about Scarlett's true feelings for Ashley.

As Scarlett is recovering, little Bonnie, as impulsive as her grandfather, dies in a fall while attempting to jump a fence with her pony. Scarlett blames Rhett, and Rhett blames himself. Melanie visits the home to comfort them, and convinces Rhett to allow Bonnie to be laid to rest, but then collapses in labor from a second pregnancy she was warned could kill her. On her deathbed, she asks Scarlett to look after Ashley for her, as Scarlett had looked after her for Ashley. With her dying breath, Melanie also tells Scarlett to be kind to Rhett, that he loves her. Outside, Ashley collapses in tears, helpless without his wife. Only then does Scarlett realize that she never could have meant anything to him, and that she had loved something that never really existed.

She runs home to find Rhett packing to leave her, she begs him not to leave, telling him she realizes now that she had loved him all along, that she never really loved Ashley.

As Rhett walks out the door, she pleads, "Rhett, if you go, where shall I go? What shall I do?" He answers, Frankly, my dear, I don't give a damn. and walks away into the fog. She sits on her stairs and weeps in despair, "What is there that matters? Tara! Home. I'll go home, and I'll think of some way to get him back! After all, tomorrow is another day!" In the finale, Scarlett stands once more, resolute, before Tara.

[edit] Notes

[edit] Further reading

• Bridges, Herb (1998). The Filming of Gone with the Wind. Mercer University Press. ISBN 0-86554-621-5.
• Bridges, Herb (1999). Gone with the Wind: The Three-Day Premiere in Atlanta. Mercer University Press. ISBN 0-86554-672-X.
• Cameron, Judy, & Paul J. Christman (1989). The Art of Gone with the Wind: The Making of a Legend. Prentice Hall. ISBN 0-13-046740-5.
• Harmetz, Aljean (1996). On the Road to Tara: The Making of Gone with the Wind. New York: Harry N. Abrams. ISBN 0-8109-3684-4.
• Myrick, Susan (1982). White Columns in Hollywood: Reports from the GWTW Sets. Mercer University Press. ISBN 0-865542457.
• Pratt, William. (1977). Scarlett Fever: The Ultimate Pictorial Treasury of Gone with the Wind. Macmillan. ISBN 0-020125100.
• Vertrees, Alan David (1997). Selznick's Vision: Gone with the Wind and Hollywood Filmmaking. University of Texas Press. ISBN 0-292787294.

[edit] External links

• Official site
• Gone with the Wind wardrobe
• Gone with the Wind News
• Gone with the Wind at LocateTV